(Gawad sa Manlilikha ng Bayan) or the National Living Treasures Award  - GAMABA , It was implemented by the _________, which is the highest policy-making and coordinating body of the Philippines for culture and the arts - National Commission for Culture and the Arts (NCCA), GAMABA or the National Living Treasures Award were institutionalized through - R.A. 7355, geometric patterns - pis, technique - siyabit, a traditional Tausug cloth tapestry worn as a head covering by the people of Jolo - Pis Siyabit, Tausug/Parang, Southern Philippines 2004 - Darhata Sawabi "Pis Siyabit", Ilocano/Pinili, Ilocos Norte, Northern Luzon Island, Northern Philippines 2012 - Magdalena Gamayo "Inabel", Sama/Tandubas, Tawi-tawi, Southern Philippines 2004 - Haja Amina Appi "Mat", Tagabawa Bagobo/ Bansalan, Davao del Sur, Southeastern Mindanao Island, Southern Philippines 1998 - Salinta Monon "Inabal", T’boli/ Lake Sebu, South Cotabato, Mindanao, Southern Philippines 1998 - Lang Dulay "Tinalak", a dyed fabric made from refined abaca fibre - Tinalak, Yakan / Lamitan, Basilan island, Southern Philippines 2000 - Uwang Ahadas "Yakan Musical Instruments", Sulod Bukidnon / Calinog, Iloilo, Panay island, Central Philippines 2000 - Federico Caballero "Chanting the Sugidanon Epic", Kalinga / Lubuagan, Kalinga, Northern Luzon island, Northern Philippines 2000 - Alonzo Saclag "Kalinga Musical ", dance patterns, and movements associated with rituals - Kalinga Musical Instrument, Maguindanao / Mama sa Pano, Maguindanao, Western Mindano Island, Southern Philippines 1993 - Sumaon Sulaiman "Kudyapi", Pala’wan / Brookes Point, Palawan island, Central Philippines 1993 - Masino Intaray "Lyrical Poems", also played on the kudyapi, instrumental music depicting the rhythms, movements, and sounds of nature, birds, and the like. - Bagit, is a highly lyrical poem expressing passionate love song with the accompaniment of the kudyapi and a bamboo zither - Kulilal, Hanunoo Mangyan/Mansalay, Oriental Mindoro, Central Philippines 1993 - Ginaw Bilog "Surat Mangyan & Ambahan Poetry",  Causes people to forsake indigenous rituals and traditions - CHRISTIANIZATION, Prevent people from having communal gathering - MILITARIZATION, These evicts people from their dwellings, and damaged the environment - MINING & INFRASTRUCTURE PROJECTS, Land areas are converted into sites for tourist consumption Dances and rituals are staged for an external audience. Art forms native to the community tend to diminish in quality - TOURISM, Factors Affecting the Traditional Artist’s Production Process: - Tourism Mining & Infrastructure Projects Militarization Christianization, Ilocano / San Quintin, Abra, Northern Luzon island 2012 - Teofilo Garcia "Tabungaw Hat", Kapampangan / Apalit, Pampanga, Central Luzon island, Northern Philippines 2004 - Eduardo Mutuc "silver plating of Religious and Secular Art", art forms which involve physical manipulation of a plastic medium by molding or modeling such as sculpture or ceramics - Plastic Arts, which stages the classics in both English and Filipino, original plays written by Filipinos, and even traditional sarswelas and musical theater - Dulaang UP, of the University of Santo Tomas which stages original plays written by students - Teatro Tomasino, stages both Filipino Plays and adaptations of the classics - Tanghalang Ateneo , find common thread in the members’ shared ideology - Southern Tagalog Exposure, organization who highlight their regional attachment; made up of artists from Negros - Black Artists of Asia, groups that defy our concepts of theater: collaborating performative media and fresh styles of public rendezvous. - Anino Shadow Play and Sipat Lawin Ensemble, composed of personalities who share related or similar practices - Collectives and artist organizations, 2 paintings of Black Artists of Asia - The Sacred and Profane 3” Norberto Roldan, and Tower of Power” Dennis Ascalon, SUPPORT SYSTEMS OF THE ARTS - INSTITUTIONS, ORGANIZATIONS & COLLECTIVES, MEDIA, ALTERNATIVE PLATFORMS, a folk theater company - Sining Kambayoka Theater Group, Traveled to Marawi in Mindanao and with the help of the Marawi State University, formed the Sining Kambayoka Theater Group - FRANK RIVERA, showcased Philippine dances in modified form to significant cities in Europe and the United States. - Ramon Obusan (National Artist for Dance, 2006), She created the Filipinescas Dance Troupe which toured many cities around the world. A fusion of classical ballet and Philippine folk dances - LEONOR OROSA GOQUINGCO (National Artist, 1976), Manifestations of the IP’s culture shall not be documented without their free, prior, and informed consent - INDIGENOUS PEOPLE’S RIGHT ACT OF 1997, Tasked to preserved heritage for the enjoyment and education of present and future generations, museums are often linked to ideas of permanence and authority. - MUSEUMS, (Waray term meaning “CONFLUENCE”) a series of cross-regional efforts that began in 1996 comprising of traveling exhibitions , consultations, and curatorial workshops. This signifies recentness on the one hand, and passage of knowledge on the other. - SUNGDU-AN, She translated these into an installation of wood pieces - KIRI DALENA, presents the highest form of recognition to filipino artist for their significant contributions in the arts and letters - National artist award, artistic collaboration help to develop projects involving elaborate production work as in the case of film or theater - Translations and collaboration works of national artists, avant-garde, composer, ethnomusicologist Founded UP Center of Ethnomusicology composed the song Pagsamba - Jose Maceda (awarded 1997) MUSIC, mural painted in the Church of the Holy Sacrifice in UP Diliman - Vicente Manansala (1981) “Station of the Cross”, can be viewed at the Jorge B. Vargas Museum in UP - Fernando Amorsolo (1972) -VISUAL ARTS “Romantic Paintings of Bucolic Landscapes, Portraits of Prominent Individual Second World War”, represented the Philippines in the Venice Art Biennacle, one of the oldest international art exhibitions worldwide. - Abueva and Joya, made of metal disk with sharp-looking poles jutting through it. Can be found in front of College of Business Administration. - Napoleon Abueva (1976) - SCULPTURE “Spirit Business”, mural in the Virata School of Business in UP Diliman, it is rendered in the Abstract Expressionist style without rendering human forms. It is also referencing the trade between Datu Puti and King Marikudo. - Jose Joya (2003) – V. ARTS “Barter of Panay”, made of aluminum sheets can also be found at the UP Theater. - Benedicto Cabrera (2006)- PAINTING Variations of Sabel, one of the largest public sculptures he made. - Abdulmari Asia Imao (2006) -SCULPTURE Calligraphic work at sculpture garden of the Vargas Museum, credited as the first Catholic church in the country to employ a circular architecture a thin shell dome. - Leandro Locsin (1990) ARCHITECTURE “Church of Holy Sacrifice in UP Diliman”, portraying a male nude with arms outspread as a sign of sacrifice and freedom. - Guillermo Tolentino(1973) “Oblation”,

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