1) With whom has Andrew worked with? a) Taylor Swift and Brands like Nike. b) Demi Lovato and Brands like H&M. c) Harry Styles and Madonna. d) Xuxa and Pelé 2) What is his first tip? a) Use SFX that are at your disposal. b) Use the best sound effect you can buy. c) Use professional equipament. d) Ask filmmakers about their tips. 3) Usually filmakers feel embarrassed about using SFX because they think it's_________. a) not crucial b) not the best option c) cheating d) cheap 4) According to Andrew, using SFX you can create _________. a) explosions and weird noises b) anything you want c) the environment d) the music track 5) If you record your movie in a silent environment your film sound ________.  a) awful b) awesome c) exquisitely d) hollow 6) How does the film feel when you add SFX?  a) Alive b) Dull c) Full of character d) Terrific 7) What is the second tip? a) Get a lavalier. b) Boom perspective. c) Enhance the sound. d) Get a professional mic. 8) What is a boom? a) It's a mic to capture special sound effects. b) It's a complex equipament to capture low frequency sounds. c) It's a camera with a mic on the top. d) It's basically a stick with a mic to capture dialogues away from the camera frame. 9) Why lavalier is not as good as a boom? a) Because it has poor sound quality. b) Because it's difficult to operate. c) Because it always sounds too close to the subject. d) Because it's not the industry standard. 10) Why boom perspective is important? a) It's good to give the film some perspective. b) It's possible to shoot wide angles wiht wide sound. c) It's how Hollywood filmamkers record sound. d) It's the best way to shoot a scene without SFX. 11) What is tip number 3? a) Record SFX away from the scene location. b) Record SFX on site. c) Record SFX in a different set. d) Record SFX when it's better for the crew. 12) Why it's better to record SFX (wild takes) on site? a) Because it's pratical, accurate and natural. b) Because it's more professional. c) Because it has character. d) Because it's awesome, cheap and grounded. 13) What is "wild line"? a) It's the environmental sounds of a scene. b) It's a line of an animal inside a movie set. c) It's a line said by an actor in a few different ways. d) It's the sound of noises around a scene. 14) Why recording a wild line is a good strategy? a) Because you can use it in a reaction shot without mouth synching. b) Because you don't need to add SFX after. c) Because you can use it in any scene. d) Because it saves time in a overall film set environment. 15) What's the final hint? a) Use the best sound mixer you can get. b) Don't waste your time recording unecessary SFXs. c) Make SFX simple. d) Record clean dialogues. 16) What does he mean by "clean dialoques"? a) Dialogues that are easier to record. b) Record actors separately in a dialogue. c) Record dialogues using a boom operator. d) Never record SFX during a dialogue scene. 17) Why is it better to record actors separately in a dialogue? a) Because you can edit their lines, making it slower or faster. b) Because you can mix them in post production. c) Because you can create a more efficient dialogue. d) Because it's more pratical and cheaper. 18) When you make the line faster the scene is more _________, on the other hand, if you make it slower it sounds more _______. a) dynamic / sad b) happier / frustated c) comical / dramatic d) grave / loud 19) Having a clean dialogue doesn't mean you can't _____ lines. a) mix b) highlight c) overlap d) edit 20) What's a shot-gun mic? a) It's a multidirectional mic, used to capture sound from all the dirctions in a scene. b) It's an amateur mic used for low-budget productions and indie films. c) It's a professional mic used only for major productions to record low-frequency sounds. d) It is a highly directional mic that focus on capturing the audio from a specific direction (usually the front) while minimizing sound pickup from other angles.

Cinematic Audio

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