Melody: Ascending and descending, Stepwise/conjunct/scalic and disjunct, Arpeggio, Phrase length (equal, unequal, balanced), Ornaments (trill, mordent, acciaccatura), Passing notes (accented, unaccented, chromatic), Auxiliary notes (upper, lower, chromatic), Échappée, cambiata, notes of anticipation, Sequence, Motif, Fragmentation, Intervallic augmentation and diminution, Inversion, Harmony: Consonant and dissonant, Diatonic: primary and secondary triads, Dominant seventh, Chromatic: diminished 7th, augmented 6th (French, German, Italian), Neapolitan 6th, secondary dominant, Cadences: perfect, imperfect, interrupted, plagal, Phrygian, tierce de Picardie, Circle of fifths, Pedal notes: tonic, dominant, inverted and inner, Suspensions (4-3, 9-8, 7-6), preparation and resolution, Cadential and passing 6/4, Tonality: Major, minor keys, Modulation to related keys, Modulation to distant keys, Enharmonic keys, Modality, Structure: Binary, rounded binary and ternary, Ritornello and episode, Sonata form, Through-composed, Introduction and coda, Recitative and aria, Four-square, Antecedent and consequent phrases,
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AoS1 MAD T SHIRT elements sort part 1: melody, harmony, tonality, structure
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Jw5
Y12
Y13
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