Positive: Decoration & quaver movement, ii7b, 8ve leaps in bass on chord V, Contrary motion between soprano + bass, Suspensions (especially in alto), High tenor (above middle C), Less than a 12th between TB, Modulations to closely related keys, Secondary dominants (e.g. II#3b V I in minor), TDP (tierce de Picardie in minor keys), Passing 7ths on chord V, Resolving suspensions down by step, Preparing the '4' in Ic like a suspension, Doubling the bass note in Ic, Doubling primary notes (I, IV or V), Negative: Parallel 5ths or 8ves, Consecutive 5ths or 8ves, Exposed 5ths or 8ves, Doubled Leading Note, Incomplete chord, Overlapping, Low tenor, More than an 8ve between SA or AT, Doubled dissonances, Unresolved 7ths, Awkward intervals, Always harmonising 2 quavers with 2 chords, Unprepared 7ths, Unprepared suspensions, Missing accidentals, Preparing a suspension in a different voice, Doubling the resolution of a suspension in 4-3 or 7-6, Repeating bass note weak-strong, Repeating chord weak-strong, Doubling the leading note (e.g. 3rd in V, or root in vii),

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