1) Who is the main person that we focus on to learn realistic drama? a) Konan Stanislasski b) Konstantin Stanislavski c) Kolan Stanislavski d) Stan the Man-Islavaki 2) When we look at realistic drama, we focus on: a) representational drama b) presentational drama 3) Stanislavski's method is called: a) The Process b) The Drama c) The Only Way d) The System 4) What is the 'Magic If'? a) Playing pretend in drama b) Using your own personal memory of a physical sensation and recreating that sensation onstage. c) Circumstances within a text that can change from moment to moment. d) Questions designed to force the actor to put themselves in the character’s situation and actively imagine ‘what if’ the character’s situation was real. 5) What are the fundamental questions? a) a series of questions to help an actor create belief in performance/character b) Asking yourself why you're in drama c) Some questions 6) What is the correct name for this: Circumstances within a text that can change from moment to moment. a) Emotional memory b) Units & Beats c) Given Circumstances d) Magic If 7) Which fundamental question does this answer address? You are in a house, its very dark. a) Who am I? b) What can I see? c) What am I doing? d) Where am I? 8) What is Stanislavski's Method/System? a) A bunch of rules you have to follow when you do realistic style acting b) The only way you can prepare for representational/realistic drama c) You are in a house, its very dark. Improvise a scene that shows where you are. d) Something that Stanislavski made up when he wanted something real and told people that they have to act like this now 9) What one thing does his system require actors to draw on to emotionally connect with/feel their characters? a) Pretending to feel b) Memorising your lines c) Emotional memory d) Skills 10) What's the difference between an objective and a super-objective? a) An objective is a reason for doing something and a super-objective is a better idea b) An objective is the driving force for one action whereas the super-objective is the character's overriding objective through the play c) An objective is a plan and a super-objective is a bigger plan 11) What is subtext? a) Words that are spoken by a narrator b) Words that are whispered onstage c) The underlying meaning behind words that the character speaks 12) Read the following information. Which answer do you think summarises it best? To make the outward behavior natural and convincing, To have the actor convey the inner needs of the character, To make the life of the character dynamic and continuous, and to To develop a strong sense of ensemble. a) The System b) Goals of The System c) The aim of acting d) How to be an ensemble 13) What is inner monologue? a) subtext and character’s thoughts b) character details in the script c) when you ask yourself “What would I do if I were in the same situation?” 14) What is emotional memory? a) subtext or inner monologue b) when you ask yourself “What would I do if I were in the same situation?” c) when you remember a situation when you felt the same or similar emotions as you character 15) What is muscular memory? a) Remembering your blocking (what has been choreographed) for the movement of your performance b) Using movement in your performance c) Using your own personal memory of a physical sensation and recreating that sensation onstage.

Intro to Stanislavski

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